Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Juan Pantoja de la Cruz 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
75647		Infantin Anna	99 x 80 cm cjr
76902		Infantin Anna	Date 1604(1604) Medium Oil on canvas Dimensions Deutsch: 99 x 80 cm Rahmenmaße: 121 x 101,5 x 5 cm cyf
77959		Infantin Anna	Date 1602(1602) Medium Oil on canvas cyf
92576		Infantin Anna (1601-1666), Konigin von Frankreich, Bildnis in ganzer Figur mit einem Lowenaffchen	Date 1604(1604) Medium oil on canvas Dimensions Deutsch: 99 x 80 cm Rahmenmaße: 121 x 101,5 x 5 cm TTD
80084		Konig Philipp IV	1607(1607) Medium Oil on canvas Dimensions Deutsch: 118 x 124 cm Rahmenmaße: 134 x 131 x 7 cm cyf
83656		Portrait of a woman	17th century Medium Oil on canvas cyf
80011		Portrait of Anna of Austria	Unknown Medium Oil cyf
76369		Portrait of Margarita de Austria	1607 cjr
78567		Portrait of Margarita de Austria	1607
79846		Portrait of Margarita de Austria	17th century Medium Oil on canvas cyf
81770		Portrait of Margarita de Austria	1607(1607) Medium Oil cyf
84286		Portrait of Margarita de Austria	1605-1608 Medium Oil on canvas cyf
78853		Queen Elizabeth of Valois	1605(1605) Medium Oil on canvas Dimensions 120.1 x 84 cm (47.3 x 33.1 in) cyf
79233		Queen of Spain	Unknown Medium Oil cyf
78979		third wife of Philip II	1605(1605) Medium Oil on canvas Dimensions 120.1 x 84 cm (47.3 x 33.1 in) cyf
79538		third wife of Philip II	1605(1605) Medium Oil on canvas Dimensions 120.1 x 84 cm (47.3 x 33.1 in) cyf
79294		von Spanien	1607(1607) Medium Oil on canvas Dimensions Deutsch: 118 x 124 cm Rahmenmaße: 134 x 131 x 7 cm cyf

Juan Pantoja de la Cruz

(Valladolid, 1553 - 26 October 1608, Madrid) Spanish painter, one of the best representatives of the Spanish school of court painters. He worked for Philip II and Philip III. The Museo del Prado contains examples of his severe portraiture style. Juan Pantoja de La Cruz was, born 1553 in Valladolid. Very little is known of his formative years as a painter. He was a pupil of the court painter Alonso Senchez Coello in Madrid and he must have assisted his master in complying with his duties as painter of the Spanish King, Philip II. Pantoja probably continued to work in his master studio after completing his training. He married in 1585 beginning to paint for the court around that time. After Sanchez Coello's death in 1588, Pantoja took over his master workshop and became court painter to Philip II of Spain. Pantoja kept working for the court and the nobility, painting portraits of Prince Philip, the future Philip III, in 1592 and 1594. Among his most well known works is the portrait of Philip II wearing a cape and hat all in black, painted around 1594 for the Escorial. This portrait is one of the best representations of the idea of Spanish majesty, based on the remoteness of the monarch. On Philip II's death in 1598, Philip III confirmed Pantoja's status as court painter. When the court settled in Valladolid in 1601, Pantoja moved to the new capital, remaining in this city, several years.

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